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Rafman later began to keep an ongoing Tumblr blog where he would post his Street View compositions, and published a widely circulated post about this body of work on the blog ArtFCity (archived here). He soon followed it with two more volumes. He first released a selection of Google Street Views as a pdf that year at. In 2008, Rafman began to screenshot and collect scenes captured by Google Street View’s cameras. Street View images are captured by a fleet of cars outfitted with a pole with 9 cameras at its top, which photograph their surroundings-hence Rafman’s project title, Nine Eyes of Google Street View. In 2007, Google offered only a selection of streets in the United States and slowly expanded their coverage over the years. In the street view that we know today, a user can drop in on a given street almost anywhere in the world and explore stitched together panoramic images. Google Street View was introduced as a feature of Google Maps in 2007. VISIT WORK VISIT ARCHIVED VERSION “With its supposedly neutral gaze, the Street View photography had a spontaneous quality unspoiled by the sensitivities or agendas of a human photographer.” In so doing, he reframed them within longer histories of photography and painting, raising questions about the meaning and function of these images and their implications for artists and image-makers. Rafman conducted a close reading of Google Street View and began to isolate images from this massive database, publishing them on blogs, as PDFs, in books, and as large C-prints for gallery exhibition. A massive, undiscerning machine for image-making whose purpose is to simply capture everything, Street View takes photographs without apparent concern for ethics or aesthetics, from a supposedly neutral point of view. At the time, Street View was a relatively new initiative, an effort to document everything in the world that could be seen from a moving car. In 2008, Jon Rafman began to collect screenshots of images from Google Street View. Nine Eyes of Google Street View is both an archival project and a conceptual meditation on the state of photography in a time of automated imagemaking on a massive scale. The internet is for surfing, not printing.